“It is essentially a worship
of the imperfect, as it is a tender attempt to accomplish something possible in
this impossible thing we know as life.” (Okakura, 2006)
This
is an interpretation of the Japanese tea ceremony by Okakura Tenshin. It had a
profound effect on the concept of Japanese ceramics. Setting an ideal and approaching it is meaningful, and I
think it is the principal approach to society by a ceramist. I also focus on
that tea masters set their ideal space and tools into compact size. In my study, I will explore ideal shape and materiality into compact size just like tea masters.
Reference Okakura,
T. (2006) THE BOOK OF TEA Tokyo: Kodansha
Ltd.
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