The bigger ceramic become, the larger it
has limits by gravity. Limitation of miniature pottery is lesser than bigger
pottery. In my research, I am going to explore original materiality by using
this advantage.
Control of melting and flowing glazes is
difficult, especially, it is impossible to control flowing of glazes in big
work perfectly.
Glazing flowing glazes is very high risk
for big sculpture that is taken long time. It might flow too much or too less. But
in miniature pottery, I can control it more freely.
I would like to devise way of glazing and
firing by take advantage of small size.
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| Wilhelm Kage |
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| Ishiguro Munemaro |
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| Kato Tubusa |
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| Rose Cabat |
